As someone who was
born after many of the events depicted occurred, Straight Outta Compton served
as a sort of history lesson tied in with the hip-hop revolution that went on
during the time. While I’ve heard the music and know who these individuals are,
specifically Ice Cube and Dr. Dre, I still had about as much knowledge about
the Compton based hip-hop group as I did about nuclear physics. But even with
that lack of information going in, I was able to enjoy these true-life
characters based on the superb acting and wonderful direction of F. Gary Gray.
From the start it’s
clear, while the story overall is about N.W.A., the main characters are clearly
Ice Cube, Dr. Dre, and Eazy E. They have the most screen time and largely the
bigger story and character arcs. All of these individuals are introduced in a
very well paced and organic way. The music may be phenomenal and what put these
guys on the map, but the characters are what sets Straight Outta Compton above
other music biopics.
The performances
are all pretty fantastic. O’Shea Jackson Jr. nails his role which, although
strange, shouldn’t be too hard as his character is his own father. But nonetheless, Jackson brings all of the
Ice Cube-isms with him and clearly has an understanding of what went on at the
time. Corey Hawkins is again solid as Dr. Dre, bringing the emotions and enough
confidence with him to really hammer the role of producer. By far the stand out
however, is Jason Mitchell as Eazy E. In many ways, Eric Wright is the main
character of the three. The film opens with him and ends with him and
everything that happens in between is performed with such a emotional weight
that you can’t help but sympathize with him despite some poor decisions along
the way.
The direction by F.
Gary Gray is wonderful as stated before. He gets great performances out of all
involved and paces everything quite well for the first two-thirds. The only
negatives I could detail would be that the last thirds becomes a little too
choppy, changing from scene to scene a little too quickly. Then of course one
has to acknowledge that the film seems to gloss over some more negative aspects
of these individuals lives, however that’s sort of expected when two of them
are the film’s producers.
Overall Straight
Outta Compton is spectacular biopic detailing the events of the group’s rise
and eventual fall. The music is there but takes a sort of backseat to focus on
the lives of the individuals that made it big. And in a way it comes at a very
interesting time, providing a history lesson of police-citizen relations in Los
Angeles at the time when some of those same concerns are being raised today. It
could be said that the last third suffers slightly, but the over-arching story
and characters are enough to make up for it and provide an interesting film and
insight into what came Straight Outta Compton. (8.5/10)
So what did you think of Straight Outta Compton? Have you seen it, are you interested in seeing it, or have you no interest in it at all? Sound off below with your comments or feedback and remember to come back for weekly reviews.
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