Most of the time, when a film takes a look at religion it
can be hit or miss on an extreme scale. It runs the risk of being too preachy
or flat out church in film form (i.e. God’s
Not Dead) or it could be an in depth look at the nature of faith in a
chaotic world (i.e. Silence). Novitiate, thankfully, falls much closer
to the hits.
Sunday, November 26, 2017
Wednesday, November 22, 2017
Three Billboards Outside Ebbing, Missouri - Review
An equal mixture of dark comedy and tremendous sorrow, Three Billboards Outside Ebbing, Missouri
is about as close to violently profane yet surprisingly tender that one could
find in film. Anchored by a dynamite performance from its lead and a stellar
screenplay from its writer-director, Three
Billboards finds a way to keep everything unbalanced while strangely
focused at the same time.
Monday, November 20, 2017
Coco - Review
After twenty-two years it really shouldn’t be shocking
anymore when Pixar releases another excellent animated film. And yet here we
are, with another fantastic, heart-warming, and emotional film under their belt
and audiences reap the rewards. Pixar is always at its best when they get
creative, and Coco is pretty
inventive and smart in its execution. The film’s success only reiterates just
how spectacular Pixar can be.
Friday, November 17, 2017
Lady Bird - Review
Interestingly enough, a film that brings to mind the classic
coming-of-age films of the past manages to be charming, smart, and pleasantly
unique in its own way. The setting nor plot scream originality and yet the film
feels out of the ordinary, even special if you will. Lady Bird is the combination of all these elements, or tropes, but
manages to spin it in a sharper, yet equally as affable, manner.
Wednesday, November 15, 2017
Justice League - Review
Have you ever been so innately excited for a film while
equally as nervous? Well in this case Justice
League fits the bill. With a troubled production, Justice League was wounded before it really left the gate and yet
it’s hard to not be eager to see the DC heroes fighting together on screen. And
while the course correction that the film takes is in the vicinity of the right
direction, being slightly better the Batman
v Superman: Dawn of Justice isn’t
a success.
Friday, November 10, 2017
The Florida Project - Review
As the end of the cinematic year draws closer, the awards
season contenders are all starting to emerge like clockwork. Perhaps one of the
more promising films with plenty of festival buzz is The Florida Project. The newest film from director Sean Baker finds
a very sympathetic approach to telling a moving story, and every second of it is
exceptional.
Thursday, November 9, 2017
Daddy's Home 2 - Review
Even when an actor has really been off of their game lately,
it’s easy to give them the benefit of the doubt when they’ve been great in the
past. Will Ferrell is one of those actors, and despite not having a hit in
quite a while, it’s easy to forget. It’s not like the first Daddy’s Home was horrendous by any means
(there are some truly horrifying comedies lately), but it wasn’t good either.
Unfortunately, the sequel isn’t any better.
Wednesday, November 8, 2017
Murder on the Orient Express - Review
The remake, a Hollywood staple that’s so frequent at this
point it might as well be its own genre. Some are worth it, presenting a good
idea in a new way that the original messed up, but most of the time it’s a
waste of everyone’s time. Murder on the
Orient Express is an odd case. It’s a story that’s been told many times and
yet the idea of adapting it in a new way never seems like a terrible thought
process. And with a stellar ensemble cast and a talented director, this remake
may just be a good thing.
Friday, November 3, 2017
The Killing of a Sacred Deer - Review
In a year where the weird has frequented cinemas, perhaps
the newest master has stepped up to the plate. Greek director Yorgos Lanthimos
returns to outdo himself after last year’s The
Lobster with a film that’s equal parts mysteriously tense and beautifully
haunting in The Killing of a Sacred Deer.
A film that’s overflowing with dread and absurdity in a way that very few films
can match.
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