Science Fiction, in large part, owes a lot to Pierre
Christin and Jean-Claude Mézières. The creators of the source material for Valerian and the City of a Thousand Planets,
the comic series Valérian and
Laureline that began in 1967, can now see the influence on other high profile
sci-fi films, including director Luc Besson’s own film The Fifth Element.
And what better way to finally bring Valerian to the big screen in an
epic film than the weird and out there Luc Besson.
In the 28th century, special operatives Valerian (Dane DeHaan) and Laureline (Cara Delevingne) work together to maintain order
throughout the human territories. Under assignment from the minister of
defense, the duo embarks on a mission to Alpha, an ever-expanding metropolis
where diverse species gather to share knowledge and culture. When a dark force
threatens the peaceful city, Valerian and Laureline must race against time to
identify the menace that also jeopardizes the future of the universe.
As far as a film goes, Valerian
and the City of a Thousand Planets lacks a true focus in narrative
storytelling. It’s a fun space and incredibly fast paced space adventure with
too many strange creatures to count. The film is a bunch of interesting ideas
thrown together in a blender and the results are not necessarily bad. By not
playing around with a true narrative or over-explaining certain elements, Valerian really allows the audience to
just jump in and experience this world, for better or worse.
Dane DeHaan has to be one of the strangest casting decisions
for the lead role as Major Valerian. DeHaan is certainly not a bad actor by any
means but the part just doesn’t fit his style nor does he really feel like this
smooth, heroic soldier. He is ultimately the weakest link of the cast but not
for lack of trying. Cara Delevingne is also a strange casting decision but she
is actually surprisingly enjoyable in the film. But the chemistry between her
and DeHaan never quite connects and since they spend a lot of time discussing
their potential relationship, the scenes with their banter ultimately falls
flat.
The strongest aspect of the Valerian and the City of a Thousand Planets is by far the visuals.
Breathtaking and unique in all the right ways, the visual effects behind this
film are incredible. Inventive designs from top to bottom create this world
that isn’t overly simplified and is able to live and breathe as if it truly
existed. Throw is some kinetic action on top of that and audiences may get a
little bit of whiplash from how truly hard-hitting and wild some set pieces
are. Very rarely is it easy to recommend seeing a film in 3-D, but this is one
that earns that little bit of extra money.
Overall, Valerian and
the City of a Thousand Planets finds itself hiding its lackluster narrative
and weak lead characters behind truly spectacular visuals and inspired design
work. Luc Besson knows how to wow an audience and this newest film is no
different. The weaker elements are apparent and certainly affect the film from
a critical standpoint, but the awe-inspiring effects make this particular film
worthy of seeing on the biggest screen possible.
So what did you think of Valerian?
Have you seen it? Are you interested in seeing it? Share, subscribe, comment
below and as always return to I Am Sam for weekly reviews and insight.
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