As
a franchise, John Wick just
may be the most improbable success in recent memory. From a practical
standpoint, a film directed by a former stuntman about a stoic assassin all set
in motion by stealing a car and killing a puppy sounds like an odd B-movie one
might find late at night on cable television. And yet, audiences are now being
given the third entry in said franchise (with talk of more on the horizon), and
the bonkers elements only get bigger, the visuals more striking, and the action
more insane.
After
gunning down a member of the High Table -- the shadowy international assassin's
guild -- legendary hitman John Wick (Keanu Reeves) finds himself stripped of
the organization's protective services. Now stuck with a $14 million bounty on
his head, Wick must fight his way through the streets of New York as he becomes
the target of the world's most ruthless killers.
In
the first thirty minutes alone, John Wick: Chapter 3 - Parabellum
more than earns the price of admission. The ticking clock of
a pending open bounty provides extra adrenaline on top of a barrage of action
scenes, each better than the last. From the creative use of library books to
escape a very dicey situation, to a knife fight that is equal parts elegant and
brutal, every moment serves as a preview of what is to come.
Of
course, Keanu Reeves is back in the titular role, still as focused and stoic as
ever, and fortunately, he still has a few allies in his pocket. Winston, played
by Ian McShane, is still around to pull some strings and generally give Wick a
source for his various weapons. The Bowery King, played by Laurence Fishburne,
also returns, though with far less to do throughout.
However,
the biggest addition, and the most helpful for John Wick’s survival, has to be
Halle Berry as Sofia, a hotel manage in Casablanca who owes a debt and has more
than enough skills to match Wick. For a brief moment, the film even becomes
infatuated with the crafty and dangerous woman, almost forgetting that she
isn’t the main character. Rest assured, there will be plenty more to see of her
character in the future, in some way or another.
Director
Chad Stahelski continues to develop as a director, but one thing doesn’t really
need much work, his understanding of stunt work and the capabilities of his
star. Reeves’ famed dedication to stunt work allows some of the action to feel
more visceral and real than other action films. It’s remarkably well
choreographed from start to finish, maintaining momentum and knowing precisely
when to ramp up.
Not
to be outdone is screenwriter Derek Kolstad, who continues to construct a world
of assassins that never pauses to explain or outline the rules, trusting the
audience to follow along instead. It’s certainly not the most complex story
ever told, but it puts the characters into new and exciting situations that
forward the plot in some fashion, even if that gives it near breakneck pace by
the end.
John
Wick: Chapter 3 - Parabellum is another successful entry in the
growing franchise. Where most franchises may find an increased difficulty in
upping the action and violence, John Wick embraces
it, finds the morbid art of it all, and plants its feet firmly in that space.
It’s unclear how long the filmmakers and Keanu Reeves plan to continue this
franchise, but one thing is perfectly clear after Chapter 3: there are an
infinite number of places that this character could go.
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