Is it possible for there to be two great comedies from major
studios before the first quarter of 2018 is even over? After Game Night received its praise earlier this
year, it seems Blockers is getting its
fair share now as well, though the two are wildly different outside of their
ability to separate from typical studio fare. Simply put, Blockers is a gender bent, raunchy, teen comedy that is a mashed up
2018 version of multiple past films into something that surprisingly works.
Julie, Kayla and Sam (Kathryn Newton, Geraldine Viswanathan,
& Gideon Adlon) are three high school seniors who make a pact to lose their
virginity on prom night. Lisa, Mitchell and Hunter (Leslie Mann, John Cena,
& Ike Barinholtz) are three overprotective parents who flip out when they
find out about their daughters' plans. They soon join forces for a wild and
chaotic quest to stop the girls from sealing the deal -- no matter what the
cost.
When discussing Blockers
and the tone of humor it is going for, one must first understand that this is
clearly two different films smashed together to produce double the comedy. On
one side is the parents and the misunderstandings they have about their teenage
daughters. And on the other is a female version of teen comedies that we’ve
seen in the past akin to something like Superbad.
It works alright, though focusing on one or the other could’ve streamlined it a
bit more. Where the film truly stumbles, save for one moment with Ike
Barinholtz and Gideon Adlon, is when it tries to be sentimental. The tones don’t
exactly line up and it almost brings the entire film down a peg.
Thankfully, spending a majority of the screen time with the parents
isn’t nearly as painful as it could’ve been in large part due to the chemistry
between the three actors. John Cena is able to get by on his building comedic
chops despite not always being the best actor and certainly the weakest of the
three. But Leslie Mann is presented with a good showcase for her abilities in
comedy. particularly one scene in a hotel room with some great physical humor.
And Ike Barinholtz brings it all together by taking smaller bits and elevating
them tremendously. While all three parental characters have great moments, the
one who steals the show in the end is Geraldine Viswanathan. With an
unbelievable presence on screen and remarkable comedic timing, the young
actress is sure to be a star.
The problem is that though most of the jokes work
consistently, none of the bigger jokes hit quite as hard as the film wants them
to. It does fall into some classic clichés that have become predictable at this
point and thus the effect isn’t as strong. Blockers
isn’t a tremendous lesson in comedy, it isn’t comparable to the successful films
of the last few years by any means, but it is entertaining, which is far more
than you can usually expect from big comedies lately.
Overall, Blockers
is an entertaining, if not slightly forgettable, comedy. It relies on chemistry
between both sets of main characters to be top notch and for the actors
involved to elevate the less than clever gags. Ike Barinholtz and Geraldine
Viswanathan are the obvious standouts, but some great work put in from Leslie
Mann shouldn’t be overlooked either. It isn’t going to be a film that is talked
about throughout the year, but for now it’s worth a look if you’re hoping for a
laugh.
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