Alexander Payne has presented himself as a good filmmaker in
the past with his other films, so it is only logical that a new work from him
would shoot to the top of anticipation lists. Where Downsizing really grabs you, however, is with the intriguing
concept that it presents combined with the comedic sensibilities of Payne, Unfortunately
the final product is far from the film it could’ve been and winds up falling
short of every expectation.
When scientists discover how to shrink humans to five inches
tall as a solution to overpopulation, Paul (Matt Damon) and his wife Audrey
(Kristen Wiig) decide to abandon their stressed lives in order to get small and
move to a new downsized community — a choice that triggers life-changing
adventures.
The first third or so of Downsizing
shows promise, introducing the idea of shrinking really well and establishing
the world. But it only goes downhill from there. All those ideas present at the
start seemingly become insignificant after the midpoint of the film outside of
a few visual gags. The whole thing becomes this jumbled mess of themes and ideas
that never becomes as inherently interesting as the idea of shrinking the
population to save the planet.
It certainly doesn’t work in the film’s favor that all of
the characters are incredibly bland. Matt Damon is so uninteresting and impossible
to latch onto. Christoph Waltz is ever the disappointment when not attached to
Quentin Tarantino and presents very few actual funny moments. The only
exception is Hong Chau. The actress is by far the standout, delivering a
performance far better than the film, with some excellent comedic timing and
delivery. It’s just a shame that she feels trapped in an otherwise dull film.
If ever there was a film that feels like the screenplay was
a cocktail napkin idea that never had much beyond that its Downsizing. It is a story crammed within a vague premise that doesn’t
amount to much. The film presents some very human themes that fit within the
realm of sci-fi, but the sheer fact that the sci-fi elements don’t matter after
the first hour or so means Downsizing
just comes off as a tedious drama.
Overall, Downsizing
is a mismatched and jumbled piece of film that doesn’t take the interesting
paths it presents, without doing much in its place. The performances outside of
Hong Chau are incredibly bland and not worthwhile of your attention. In
the end, the film just can’t measure up to the titillating premise that it sets
up.
So what did you think of Downsizing?
Have you seen it? Are you interested in seeing it? Share, subscribe, comment
below, and as always return to I Am Sam for weekly reviews and insight.
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