Time has always been a tool for Hollywood to play with, in
shots, scores, and narrative. Repeating the same day is not a stranger to film
either, frequently featured in various manners of success and failure. In fact,
2017 has already seen one film use the repeated time technique to moderate
success in Before I Fall earlier in
the year. But to spin this tool into a horror film, a slasher film no less,
could provide for some interesting possibilities.
Tree Gelbman (Jessica Rothe) is a blissfully self-centered collegian
who wakes up on her birthday in the bed of a student named Carter (Israel Broussard). As the morning goes on, Tree gets the eerie feeling that she's
experienced the events of this day before. When a masked killer suddenly takes
her life in a brutal attack, she once again magically wakes up in Carter's dorm
room unharmed. Now, the frightened young woman must relive the same day over
and over until she figures out who murdered her.
As one would expect, the plot structure is nothing new.
Repeat the day over and over until one finally accepts the situation and gets
to what they need to do to escape the nightmare. Though the story is hardly
original, Happy Death Day is plenty
enjoyable and crowd-pleasing to be worthwhile. Amongst all the repetition is
this tongue in cheek language on horror films and even college settings
themselves.
And a lot of it would fall flat if it weren’t for the only
true noteworthy performance in the film; Jessica Rothe. The actress gets a
standard character with typical development, but she goes for the big moments
and sells the comedy and horror tremendously well. Carrying the film is an
understatement here as even the killer, adorned in a fairly creepy mask, is
unmemorable.
Though in the end Happy
Death Day is hardly even a horror film at all. Yes, there are elements and
the good ole jump scare here or there, but the scares pale in comparison to the
comedic moments. It’s not a slasher film like one would believe, only Tree
knows anything is going on, so the film becomes a singular perspective and thus
the terror is very limited to just her experience. But all in all, it works.
That is until the third act twist kind of screws up everything that came prior,
making little sense within the context of what had happened.
Overall, Happy Death
Day is not a home run horror for the young month of October, but it’s not
bad either. The comedic moments far outshine the horror, but the performance
from Rothe allows for everything occurring in this repetitive scenario wholly
hilarious the more outlandish the scenarios become. It’s unlikely anyone
remembers this film over the coming years, but if you’re looking for an
enjoyable, seasonally themed trip to the cinema, Happy Death Day will certainly get the job done.
So what did you think of Happy
Death Day? Have you seen it? Are you interested in seeing it? Subscribe,
share, comment below, and as always return to I Am Sam for weekly reviews and
insight.
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