It is really hard to recall a film that has had as much
riding on its metaphorical shoulders than Wonder
Woman. Not only is it supposed to right the train for Warner Brother’s DC
Extended Universe, but it also carries the flag for the future of female led
comic book movies. That is an immense amount of pressure for a film that is
also tasked with giving one of the most iconic heroes of all time a worthy
origin film. And you know what? It looks all of those challenges in the face and
delivers.
Before she was Wonder Woman (Gal Gadot), she was Diana,
princess of the Amazons, trained to be an unconquerable warrior. Raised on a
sheltered island paradise, Diana meets an American pilot (Chris Pine) who tells
her about the massive conflict that's raging in the outside world. Convinced
that she can stop the threat, Diana leaves her home for the first time.
Fighting alongside men in a war to end all wars, she finally discovers her full
powers and true destiny.
Wonder Woman
follows a very fish out of water story for the first two acts with two separate
characters being said fish. Both work well whether it’s Steve Trevor on Themyscira
or Diana Prince in London and allow the characters to grow and bounce off of
one another organically. That being
said, it’s completely Diana’s story, a journey that the audience gets to
witness as she comes into her own as a hero. And the film is very smart in the
way it follows a similar structure of the first Captain America film, where it isolates the character in a separate
time period and let the audience get to know them on their own.
Any truly good comic book film goes above and beyond the
action set pieces and delves into the characters more and in doing so relies on
performances. Let’s just get this out of the way now: Gal Gadot is not a great
actress, but she is improving. Despite this, she actually owns the role due to her
sheer confidence and the sense of joy she brings to such a hopeful, and
sometimes naive, character. She also receives great support from Robin Wright
and Connie Nielsen, who breathe life into the Themyscira, giving it two
brilliant performances to anchor this foreign land. The best performance falls
to Chris Pine, who seemingly improves with each new outing. He has great
chemistry with Gadot and brings a lot of emotional moments to the
relationship they share, but he also just flat out brings his A game.
Pine isn’t the only bringing it though, as Wonder Woman is directed excellently by
Patty Jenkins. Jenkins takes the
time for small moments that let
the characters be and feel real and balances it with audience pleasing action. And
the action is so satisfying,
particularly the first two big unique action set pieces. While the third gets a
big too CGI heavy and predictable, it’s not a detriment to the film as much as
it is with other films. The film is also incredibly shot, vibrant, and just
beautiful to look at. From the action scenes to world it creates in Themyscira
and even to some degree World War I era Europe, the movie is a spectacle in the
purest sense of the word.
Overall, Wonder Woman is
a good, sometimes great, superhero film that rights the ship for Warner
Brother’s potential universe. It’s
incredibly enjoyable from start to finish in large part due to the exceptional
work of Patty Jenkins. Gal Gadot is not going win any awards for her portrayal
of the mighty amazon warrior, but she does her job and more anything sells the
physicality of the role. There are problems of course like an underdeveloped
villain, some minor CGI flaws, and a third act reveal that doesn’t quite hit,
but they’re largely overshadowed. It’s the film that so many people wanted for
so many years, now it’s finally arrived and dare I say it is, truly, wonderful.
So what did you think of Wonder
Woman? Have you seen it? And how does it rank among the other comic book
films of 2017 so far? Share, subscribe, comment below, and as always return to
I Am Sam for weekly reviews and insight.
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