Horror franchises
are all the rage these days, with unneeded sequels and prequels galore that
desire nothing more than quick cash grab that they garner. The original Ouija from 2014 was hardly a critical
success (earning only a 7% on Rotten Tomatoes) but it did manage to make some
money at over $103 million worldwide, so a sequel was inevitable. What we got
is a prequel instead titled Ouija: Origin
of Evil and it’s actually…good?
In 1967 Los Angeles, widowed mother Alice Zander (Elizabeth Reaser) unwittingly invites authentic evil into her home by adding a new stunt to bolster her séance scam business. When the merciless spirit overtakes her youngest daughter Doris (Lulu Wilson), the small family must confront unthinkable fears to save her and send her possessor back to the other side.
Oddly enough the
story works incredibly well in its premise. The larger narrative is about a
family’s struggles with grief rather than the spooky events around them, not
inciting a scare until well into the film. And because of this and pretty solid
pacing, Ouija: Origin of Evil is able
to establish a connection between the characters and the audience in ways many
horrors cannot accomplish today.
Each performance
only adds to how well the characters are crafted. Elizabeth Reaser is
completely believable as widowed mother who struggles to keep her family
afloat. Lulu Wilson brings just the right amount of sweet and creepy to a girl
you’re supposed to care for but also fear. And Annalise Basso plays both the
worried sibling and the incredibly blinded teenager well. The only role and
performance that feels out of place is Henry Thomas as Father Tom, a character
whose existence in the film is purely for exposition and isn’t needed beyond
that. His performance on it’s own is pretty good but everything about him being
there feels off.
It really shouldn’t
come as such a shock that this ill-advised prequel turned out pretty good when
you at the director. Mike Flanagan, director of two of my favorite horror films
of the last few years in Oculus and Hush, takes the reigns and rights the
ship on this potential franchise. He is able to build tension throughout the
film until unleashing all the scares in the third act. And some of those are in
fact typical or tropes, but the connection with the characters and the story
make them more effective than most horror films.
Overall, Ouija: Origin of Evil is a surprise in a
month that sees so many bad horror films. The cast is great and they play well
rounded characters that earn the audience’s interest. The tension that builds
up is subtle and creepy, including a speech from Lulu Wilson that will
certainly send shivers down your spine. Flanagan continues to build hi resume
of good suspenseful horror and everyone should be watching what he does next.
So what did you think of Ouija: Origin of Evil? Have you seen it and what did you think of the 2014 film? Subscribe, share, comment below, and as always return to I Am Sam for weekly reviews and insight.
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