Ant-Man is the
twelfth entry in the Marvel Cinematic Universe and probably takes the biggest
risk out of them all, making a good film about a man who can shrink. Yet Marvel
has done it again and produced another hit to add to their streak of successes.
Despite many
people’s trepidations to Paul Rudd being cast as superhero, he nails the role.
Rudd is naturally likeable and really makes you root for the hero like no other
Marvel film can. Michael Douglas brings a sense a gravitas to the film in his
role as Hank Pym, the original Ant-Man of the 80’s. He legitimizes the film by
being the outstanding actor that he is by bringing a performance that fits with
the tone of the film. Evangeline Lilly
also stands out as Pym’s daughter, Hope. She doesn’t have the best relationship
with Hank and it plays into the story in the right places.
Of course one must
mention and compliment the director, Peyton Reed. If you don’t follow
production on films then you may not know, but Peyton Reed came onto the film
only two months before filming was to begin. Despite the lateness of the hour,
Reed is able to craft a comprehensive film with heart, humor and all the Marvel
goodness you would expect.
The action might be
up there with some of the best of any Marvel film. Shrinking and growing and
shrinking and growing, going back and forth between the two creates interesting
action shots and great microphotography. And it leaves us with the one of the
better third acts in the MCU with the fight between Ant-Man and Yellowjacket.
In the grand scheme
of things, Ant-Man is a heist film that just happens to feature a superhero.
The film has underlying themes about legacy and a relationship between fathers
who have messed up and their daughters that suffer because of it. These elements, rather than the plot, are
what move Ant-Man forward and create a rather spectacular film.
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